Mentor LE$$
An idea is an idea until it come reality
Sunday, February 12, 2012
Thursday, January 19, 2012
Krista Franklin a poetic collages of lifes
Krista Franklin is a poet and visual artist from Dayton, OH who lives and works in Chicago. Her work straddles the literary and visual worlds. As a writer and mixed media artist, Krista create complex, interrogative images that reflect the vernacular experiences, dream worlds, and psychic landscapes of the black community in the United States and larger African Diaspora.
Her art has a strong focus on subtext. She often utilize distinct, recognizable and familiar images of people of color, popular iconography, and the juxtaposition of text to engage the viewer and deconstruct the ways in which our gaze reifies and distorts notions of culture and gender, race and class, power and privilege.
Krista is deeply inspired by popular culture and public history, as well as by the frenetic glamour of music videos and magazines. Using a variety of mixed media — acrylic, watercolor, handmade paper and found objects: old letters, vintage magazine advertisements, playing cards, old photographs, and receipts —she work to create "post-modern" American totems wherein the complexities of our present and our past(s) are evoked through purposeful layering
African Diaspora folklore and mythmaking are the conceptual concerns of my current visual explorations. Informed by the gothic fugitive slave narrative of Toni Morrison's Beloved, the shapeshifter, telepathic, and dystopic visions of Octavia E. Butler, and the elaborate collages of Romare Bearden, my recent work in papermaking, letterpress and bookmaking explore retro-Afro-Futuristic and Afro-Surrealist themes of the "fantastic" and the "speculative". - via artist statement
“At the heart of my collages is a deep concern for creating complex and interrogative images, dream worlds and psychic landscapes. Deeply inspired by American popular culture and histories, as well as by the frenetic glamour of music videos and magazines, I create my collages in much the same way a hiphop producer creates a beat: through a process comparable to ‘sampling.’ Using a variety of medium—paint, handmade paper, playing cards, old photographs, receipts—I create new visions and totems wherein image is in dialogue with words (sometimes prominent, sometimes obscured), and the complexities of histories are evoked through a purposeful layering.” - krista franklin
Her art has a strong focus on subtext. She often utilize distinct, recognizable and familiar images of people of color, popular iconography, and the juxtaposition of text to engage the viewer and deconstruct the ways in which our gaze reifies and distorts notions of culture and gender, race and class, power and privilege.
Krista is deeply inspired by popular culture and public history, as well as by the frenetic glamour of music videos and magazines. Using a variety of mixed media — acrylic, watercolor, handmade paper and found objects: old letters, vintage magazine advertisements, playing cards, old photographs, and receipts —she work to create "post-modern" American totems wherein the complexities of our present and our past(s) are evoked through purposeful layering
African Diaspora folklore and mythmaking are the conceptual concerns of my current visual explorations. Informed by the gothic fugitive slave narrative of Toni Morrison's Beloved, the shapeshifter, telepathic, and dystopic visions of Octavia E. Butler, and the elaborate collages of Romare Bearden, my recent work in papermaking, letterpress and bookmaking explore retro-Afro-Futuristic and Afro-Surrealist themes of the "fantastic" and the "speculative". - via artist statement
“At the heart of my collages is a deep concern for creating complex and interrogative images, dream worlds and psychic landscapes. Deeply inspired by American popular culture and histories, as well as by the frenetic glamour of music videos and magazines, I create my collages in much the same way a hiphop producer creates a beat: through a process comparable to ‘sampling.’ Using a variety of medium—paint, handmade paper, playing cards, old photographs, receipts—I create new visions and totems wherein image is in dialogue with words (sometimes prominent, sometimes obscured), and the complexities of histories are evoked through a purposeful layering.” - krista franklin
Wednesday, January 18, 2012
Wangechi Mutu This You Call Civilization
Kenyan-born, New York-based Wangechi Mutu has trained as both a sculptor and anthropologist. Her work explores the contradictions of female and cultural identity and makes reference to colonial history, contemporary African politics and the international fashion industry. Drawing from the aesthetics of traditional crafts, science fiction and funkadelia, Mutu’s works document the contemporary myth making of endangered cultural heritage.
Wangechi Mutu's work has often seemed to bear the gaze of a perpetual outsider, simultaneously drawn to and repulsed by the discovery of another fresh outrage in the lands in which she travels. Much of Mutu's work to date has been concerned with the myriad forms of violence and misrepresentation visited upon women, especially black women, in the contemporary world
Her upbringing proved to be a modern and urban one at different phases of her life. Mutu wasoften baffled by the Western tendency to perceive Africa in terms of its traditionalculture. Being that she was born and raised in the urban portion of Africa she was unable to relate to the “western generalization of the motherland
Serge Gay Jr.
Serge Gay Jr. is a Grammy nominated illustrator / fine artist / graphic designer currently based out of San Francisco, California.
The story of Serge Gay Jr. began with his birth in Port-au Price, Haiti and developed during his years in the U.S. His art infuses inspiration born from living in cities from coast to coast. Influence in his work can be found from the culture of his homeland, New York, Miami and Detroit. Currently the story continues to evolve from the west coast of the United States. He is the youngest of three boys and a third generation artist. Art is in his blood and he has felt this talent as long as he can remember.
Serge wasted no time in blazing a path for himself. Early on he embarked on a journey of self-discovery aimed at unlocking the potential of his deep seeded creativity through education. The first major step was attending one of the top art high schools in America, New World School of the Arts. This Miami institution exposed him to relationships, concepts and experiences to nurture, develop and channel his artistic instinct. The College for Creative Studies in Detroit would then help him to further refine his skills and build the foundation for his art career.
Since graduating, Serge has taken residence in San Francisco where he continues to explore and share his talent with the world through career oriented and non-profit freelance projects. - via SGjr.wordpress
Serge's work also was featured in many music videos check the link here ( VIDEOS ) to see.
Sunday, January 08, 2012
Laylah Ali
Laylah Ali was born in Buffalo, New York, in 1968, and lives and works in Williamstown, Massachusetts. She received a BA from Williams College and an MFA from Washington University in St. Louis, Missouri. The precision with which Ali creates her small, figurative, gouache paintings on paper is such that it takes her many months to complete a single work.
She meticulously plots out every aspect of her work in advance, from subject matter to choice of color and the brushes that she will use. In style, her paintings resemble comic-book serials, but they also contain stylistic references to hieroglyphics and American folk-art traditions.
Ali often achieves a high level of emotional tension in her work as a result of juxtaposing brightly colored scenes with dark, often violent subject matter that speaks of political resistance, social relationships, and betrayal.
Although Ali’s interest in representations of socio-political issues and current events drives her work, her finished paintings rarely reveal specific references. Her most famous and longest-running series of paintings depicts the brown-skinned and gender-neutral Greenheads, while her most recent works include portraits as well as more abstract biomorphic images.
Ali endows the characters and scenes in her paintings with everyday attributes like dodge balls, sneakers, and Band-aids, as well as historically- and culturally-loaded items such as nooses, hoods, robes, masks, and military-style uniforms. Her drawings, which she describes as “automatic,” are looser and more playful than the paintings and are often the source of material that she explores more deeply in her paintings.
- ( PBS art21 )
Sunday, December 18, 2011
Andy Goldsworthy
Andy Goldsworthy is a British sculptor, photographer and environmentalist producing site-specific sculpture and land art situated in natural and urban settings.
"We often forget that WE ARE NATURE. Nature is not something separate from us. So when we say that we have lost our connection to nature. We’ve lost our connection to ourselves."
"We often forget that WE ARE NATURE. Nature is not something separate from us. So when we say that we have lost our connection to nature. We’ve lost our connection to ourselves."
Friday, June 10, 2011
Tuesday, April 19, 2011
Edouard Duval Carrie
Edouard Duval-Carrié (born 1954) is a Haitian painter and sculptor. Born in Port-au-Prince, his family emigrated to Puerto Rico while he was a child during the François Duvalier regime.Duval-Carrié studied at the Université de Montréal and McGill University in Canada before graduating with a Bachelor of Arts from Loyola College, Montréal in 1978. He later attended the École Nationale Supérieure des Beaux-Arts in Paris, France, from 1988 to 1989. He resided in France for many years and currently lives in Miami, Florida. "I didn't want to go back to Haiti because of the political turmoil there. I have two kids," he explains. Instead he resides among Miami's substantial Haitian immigrant population and maintains cultural ties to his homeland. His works have been exhibited in Europe and the Americas.
Duval-Carrié's art reflects the culture and history of Haiti with references to the Vodou religion. His work is often overtly political, executed in attempts to embody his nation's spirit and its troubles with an attitude that is neither detached nor ironic. ( via wikipedia )
Part 1
Part 2
check out more of his works here
Subscribe to:
Posts (Atom)